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HOUSE OF DÍS ( PLAYER BUSINESS ).
— WELCOME TO THE HOUSE OF DÍS —
— A SALON & GAMBLING HALL FOR SALTBURNT'S MALIZIA —
BEYOND dark, creaking doors, the House of Dís unfolds in a deliberate division between spectacle and indulgence. The gambling hall stretches beneath velvet walls and descending chandeliers, polished floors echoing dice and snapping cards. Here, games of chance, deceit, and skill dominate, each table a stage for subtle manipulation and daring risk. At the far end, a curtained stage rises in gilt and shadow, hosting operatic spectacles performed by the House’s resident entertainers: those who hold limited events of their own — soirées designed to tempt, provoke, and reward the bold. Occult sigils etched into glass and wood inspire impulse and indulgence trace arches and railings, subtly loosening restraint and coaxing risk, vanity, and daring from every patron.
Opposite, the open-air salon and private booths lie beneath a conservatory ceiling of iron and clouded green glass. Poisonous plants press close to the panes as stewards circulate with absinthe-laced cocktails and restorative tonics. More symbols etched beneath the floor and along the bar quietly encourage boldness and risk-taking. Patrons are invited to linger here during periodic theme nights: masquerades, cabarets, or ritualized events where the usual rules bend and the House’s influence grows more intoxicating, fostering secrets and wagers that extend far beyond the table.
Every corner of the House bears marks of observation and influence. Coin holds no value; entry and wagers are paid in secrets, favors, memories, flesh, or binding promises. The House does not rush: it waits, patient, nudging hedonism and daring, guiding choices, and shaping outcomes before the final tally is called.
Tucked behind a velvet curtain, Mithra Antonescu’s private office oversees it all. Here she reviews ledgers, receives petitions, holds private audiences and ensures nothing of consequence escapes notice. Few glimpse her inner sanctum and fewer leave unchanged. To venture deeper still, means acquiring a copy of Dante's Inferno with a weekly watchword, to gain access to the unhallowed hall of DI INFERI.
Opposite, the open-air salon and private booths lie beneath a conservatory ceiling of iron and clouded green glass. Poisonous plants press close to the panes as stewards circulate with absinthe-laced cocktails and restorative tonics. More symbols etched beneath the floor and along the bar quietly encourage boldness and risk-taking. Patrons are invited to linger here during periodic theme nights: masquerades, cabarets, or ritualized events where the usual rules bend and the House’s influence grows more intoxicating, fostering secrets and wagers that extend far beyond the table.
Every corner of the House bears marks of observation and influence. Coin holds no value; entry and wagers are paid in secrets, favors, memories, flesh, or binding promises. The House does not rush: it waits, patient, nudging hedonism and daring, guiding choices, and shaping outcomes before the final tally is called.
Tucked behind a velvet curtain, Mithra Antonescu’s private office oversees it all. Here she reviews ledgers, receives petitions, holds private audiences and ensures nothing of consequence escapes notice. Few glimpse her inner sanctum and fewer leave unchanged. To venture deeper still, means acquiring a copy of Dante's Inferno with a weekly watchword, to gain access to the unhallowed hall of DI INFERI.
VENUE AREAS
STAFF ROSTER
( staff chat )
— COLOR PALETTE —
#1b7067
#0c3530
#061800
#005c23
#08af2d
LOGISTICS
( i. ) — THE STATUS of EMPLOYEE and PATRON are mutually exclusive. This is due to the delicate process of balancing the House's ledger.
( ii. ) — EVERY MONTH the House's theme changes; the theme is dependent upon the ENTERTAINERS, who are expected to live in residence at the House for the duration of their tenure. Housing and fare are covered by the House.
( iii. ) — Any attempt to INTERFERE with the integrity of the venue or DEFAULT ON DUES will result in harsh punishment.
( iv. ) — Duels/combat are not permitted within the House; parties interested in settling debts via combat will be provided access to Inferi.
( v. ) — Owned by MITHRA ANTONESCU, in partnership with SOFIA GIGANTE and Inferi.
( vi. ) — THE HOUSE always wins.
AESTHETICS ( COSMOS )
— VENUE LISTING —
no subject
POSITION SOUGHT: Warden
PERSONA: I am Godric. An old vampire by the standards of most worlds. I am told happiness might be found in the walls of this house, and the requirements of this job are familiar. I will keep your peace, even if you would not choose this name for what you would do.
SKILLS: I studied the shape of war for centuries. I am strong, durable, and quick. I have an ability like hypnosis, effective upon humans, and can command them to stand down. Early de-escalation is best.
LIMITATIONS: Don't misunderstand. I have lived in covenants with others and honor agreements freely entered. I believe people learn through consequences and rarely through any other means. I believe we often struggle with demons of our own summoning. But if the terms are coercive or the bettor far outside their right mind when the deal is struck, the fee can only be so steep. I will not enforce harsh terms upon a dupe. Fools are a different question.
The world is violent and peace may be kept by a firm hand.
Apart from that, I kill rapists. If they come back, by resurrection or for patronage, I may kill them again. You may assign me to a different shift if you would like to entertain numerous rapists.
ANYTHING ELSE? None may have my blood. I don't foresee many other problems. Your establishment is beautiful.
no subject
M. N. Antonescu
Proprietress, The House of Dís